Research Students

Sol Anderson

The Act of Listening, Objects and Noise
W: www.solandersson.se

Stefano Catena [M4C DTP with U. Birmingham]

The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W: stefanocatena.github.io

Robert Chafer [M4C DTP]

Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition

Eddie Clijsen [M4C DTP]

Practical Explorations of Formalised
Approaches to Microtonal Composition

Ross Davidson [M4C DTP]

Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W: www.rossd.co.uk 

Katie-Jane Howard

Audience Perception of Digital Music Instruments
in Live Musical Performance

Eva Kára

Writing the Political: Electroacoustic Music
Composition as Ideology

Matt London

The Integrated Soundtrack: An Analytical
Exploration of the Auditory Elements of
Music, Sound Design and Dialogue within
Horror Cinema

Christina Palandri [M4C DTP]

Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres

Samantha Topley  [M3C DTP]

Craft-Focused Electronic Instrument Building
W: www.samantha-topley.co.uk  

Mungo Zhangruibo

Assisting the Development of the Field of EA
Music Studies in China 
W: chears.info

Joe Hitchen

Kris Parker

Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film

Matt Rogerson

Sensory Overload: Noise, Mind, Emotion 

Connor Snape

Fundamentals of Adaptive Audio Design
in an IDM Context for Video Games

Joe Stillwell

Interdisciplinary Improvisation