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Research Students

Doctor of Philosophy

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Asher Arnon

Visual music strategies and the sense of place 

Bill Brunson

Bill Brunson

Narrativity and Formal Aspects of Electroacoustic Music

Jim Frize

James Frize

Disintegrated Circuits: Deconstructed Music Technology
W: sonodrome.co.uk

Marinos Giannoukakis

Marinos Giannoukakis

Creation of Complex Realtime, Nonlinear Narratives by Means
of Current 3D Game Technologies and Realtime Sound Analysis
and Synthesis Systems

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Marij van Gorkom
Alternative approaches to the composer-performer relationship
with respect to works for bass clarinet and live electronics
W: sonicspaces.eu

susanne grunewald

Susanne Grunewald

Electroacoustic Music and Sound Design for Film
W: www.suzannesoundcreations.com

Wei Wei Jin

Weiwei Jin

Interdisciplinary Operatics: Creative Practices which combine Voice,
Electroacoustic Composition, Theatre, Multimedia, Installation,
Cinema and Technology

Steve Jones

Steve Jones

The Carry Principle: Strategies for Mobile Practice 
W: steranko.tumblr.com

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Andreas Katsiavalos

Algorithms for the automatic identification of musical
schemata that learn to adapt to user feedback

James Kelly

James Kelly

Vinyl Cutting for Turntable Performance

Taku Lippit

Takuro Lippit 

The Playback - An Integrated Instrumental Setup for Experimental
Turntable Performances 
W: www.djsniff.com

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Emma Margetson
(M3C DTP Scholar based at University of Birmingham)

Barriers to Access in Electroacoustic Music: A Practice-Led 
Study in Reception and Engagement
W: emmamargetson.wordpress.com

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Luigi Marino
(M3C DTP Scholar based at University of Birmingham)

A Flexible System for the Purpose of a Relational Counterpoint
in Interactive Music
W: www.luigimarino.net

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Robin Parmar

Rethinking Environmental Composition: The Phenomenology of
Place and Nature
W: remanence.robinparmar.com

Amit Patel

Amit Patel
Creating Noise in the Asian Underground
W: www.soundcloud.com/dushume

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Francisco Marti Pérez

New Media Art with Psuedo-Random Number Generators
and Granular Synthesis Techniques
W:  www.rmsonce.com

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Jack Richardson

Sounding Futures: Perception & Experience in Contemporary
Music Education
W: www.jackademic.com

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Audrey Riley

Cellist and Musician: Investigating Performance Practice
and Collecting Stories

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Anatol Rivero

The Instrument as Sound Composition
W: www.anatolrivero.com

Sam Topley

Samantha Topley 
[M3C DTP Scholar based at DMU]

Craft-Focused Electronic Instrument Building
W: www.samantha-topley.co.uk  

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Maya Verlaak
[M3C DTP Scholar based at Birmigham Conservatory]

Embodying Context During the Music Compositional Process…
W: www.maya.ricercata.org

Virginie Viel

Virginie Viel

Musical Form as Deployment of Gestural Energy in Acousmatic Music
W: www.virginieviel.com

Simon Waite

Simon Waite

Hybrid Audiovisual Realtime Systems for Electronics, Voice and
Instruments
W: www.nationaltrevor.com

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Stewart Worthy

Perception and Memory in Sound Art Installations 
W: stewartworthy.wordpress.com

Mungo Zhangruibo

Mungo Zhangruibo

Assisting the Development of the Field of EA Music Studies in China 
W: chears.info

Masters by Research (MA or MSc)

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Lloyd Allen

Interactive Installation Art and the
Ontology of Spatial Awareness 

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Sam Warren

Relationships Between Acousmatic Music
and Movement Practice 

 

 

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